Suchergebnisse

An Anthology on Play

Until the 1980s—and in rare cases until today—playgrounds were places for social experiments, risky projects, and spectacular sculptures. Architects, urban planners, artists, parents, and children were invited to leave their comfort zone and to venture into something new. The Playground ...

The exhibition at Kunsthaus Graz is a wide-ranging solo show by the Austrian artist and drawer. At the core of his practice lies the notion of translating a drawing into the physically experiential world of space, made up of surface feel, sound, and movement. The catalog accompanying this exhibition ...

So werden wir durch Sprache manipuliert

Deutschland muss "fit für die Zukunft" gemacht, die "Wettbewerbsfähigkeit" gesteigert werden - das ist "alternativlos"! Solche Sprüche hören wir Tag für Tag. Dass die "Reformen" meist den Unternehmen nutzen und zu unseren Lasten gehen, wird verschwiegen. Dieses ...

So werden wir durch Sprache manipuliert

Deutschland muss „fit für die Zukunft“ gemacht, die „Wettbewerbsfähigkeit“ gesteigert werden – das ist „alternativlos“! Solche Sprüche hören wir Tag für Tag. Dass die „Reformen“ meist den Unternehmen nutzen und zu unseren Lasten gehen, wird verschwiegen. Dieses ...

Until the 1980s—and in rare cases until today—playgrounds were places for social experiments, risky projects, and spectacular sculptures. Architects, urban planners, artists, parents, and children were invited to leave their comfort zone and to venture into something new. The Playground Project will ...

Wer Dirk Bonsma’s Arbeiten schätzt, weiss sofort um was es in seiner Monografie geht. Es geht um sein DING, dieses DING ist aber auch dein DING und falls du dich hier angesprochen fühlst, dann lass dich auf dieses DING ein, du wirst es keine Seite lang bereuen. Dieses wunderschön gestalte Buch ist von ...

Play, coincidence, wonder, vital force, decay, and waste are all essential topics of Ruedi Bechtler's work. Graduated as a mechanical engineer, Bechtler (*1942, in Zurich) developed his affinity with natural science and technology as an artistic practice. And the artist, as an intermediary between science ...

For many decades drawing has occupied a central position within artists' practices in Switzerland. If the medium was connected to a conceptual strain in the 1970s, it was its link with painting and personal expression that made it a subject of many exhibitions in the 1980s. In the 1990s and the 2000s ...

Since 2001, Christoph Keller's famous archive "Kiosk – Modes of Multiplication" has been exhibited 27 times all around the world, in institutions such as the ICA (London), the Witte de With (Rotterdam), Artists'Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and some biennials such ...